{"id":648,"date":"2018-02-20T15:40:24","date_gmt":"2018-02-20T15:40:24","guid":{"rendered":"http:\/\/www.lauragianetti.com\/home\/?page_id=648"},"modified":"2026-07-31T18:04:59","modified_gmt":"2026-07-31T18:04:59","slug":"i-walk-the-line","status":"publish","type":"page","link":"https:\/\/www.lauragianetti.com\/home\/i-walk-the-line\/","title":{"rendered":"I walk the line"},"content":{"rendered":"\n<p class=\"alignwide has-medium-font-size wp-block-paragraph\">I Walk the Line \u00e8 una serie fotografica realizzata attraverso lunghe esposizioni e successivi lampi di flash, che riuniscono in un&#8217;unica immagine diverse fasi del movimento della stessa figura. La sovrapposizione dei gesti dissolve la stabilit\u00e0 del corpo, trasformandolo in una presenza molteplice e mutevole, sospesa tra controllo e trasformazione.<\/p>\n\n\n\n<p class=\"alignwide has-medium-font-size wp-block-paragraph\">La linea coincide con il margine di uno schermo televisivo, evocando il dispositivo attraverso cui il corpo femminile \u00e8 stato storicamente osservato, costruito e trasformato in immagine. La televisione non \u00e8 soltanto un supporto, ma un limite fisico e simbolico entro cui il corpo si offre come simulacro, prima di sottrarsi progressivamente a quella stessa rappresentazione. I cavi del casco d&#8217;aviatore richiamano quelli che alimentano il televisore, suggerendo una condizione di continua connessione tra il corpo e il dispositivo che lo rende visibile. Attraverso la ripetizione del gesto, il corpo oltrepassa i confini dello schermo, riaffermando la propria presenza e trasformando quello spazio di contenimento in un portale di attraversamento.<\/p>\n\n\n\n<p class=\"alignwide has-accent-3-color has-text-color has-link-color has-medium-font-size wp-elements-13dc546f42985d1fea7be4108ceed3fc wp-block-paragraph\"><strong>I Walk the Line<\/strong> is a photographic series created through long exposures and successive flashes of light, bringing together different stages of the same figure&#8217;s movement within a single image. The superimposition of gestures dissolves the body&#8217;s stability, transforming it into a multiple and ever-changing presence, suspended between control and transformation.<\/p>\n\n\n\n<p class=\"alignwide has-accent-3-color has-text-color has-link-color has-medium-font-size wp-elements-4298bd2b208c2b8dd11dbd39fca66a5a wp-block-paragraph\">The line coincides with the edge of a television screen, evoking the device through which the female body has historically been observed, constructed, and transformed into an image. The television is not merely a support, but a physical and symbolic boundary within which the body presents itself as a simulacrum, before gradually escaping that very representation. The aviator helmet&#8217;s cables recall those that power the television, suggesting a condition of continuous connection between the body and the device that renders it visible. Through the repetition of the gesture, the body moves beyond the boundaries of the screen, reasserting its presence and transforming that space of containment into a portal of passage.<\/p>\n\n\n\n<figure class=\"wp-block-image alignwide size-large wp-image-316\"><img loading=\"lazy\" decoding=\"async\" width=\"700\" height=\"201\" src=\"https:\/\/www.lauragianetti.com\/home\/wp-content\/uploads\/2026\/07\/I-walk-the-Line-700x201.jpg\" alt=\"\" class=\"wp-image-1983\" srcset=\"https:\/\/www.lauragianetti.com\/home\/wp-content\/uploads\/2026\/07\/I-walk-the-Line-700x201.jpg 700w, https:\/\/www.lauragianetti.com\/home\/wp-content\/uploads\/2026\/07\/I-walk-the-Line-300x86.jpg 300w, https:\/\/www.lauragianetti.com\/home\/wp-content\/uploads\/2026\/07\/I-walk-the-Line-768x220.jpg 768w, https:\/\/www.lauragianetti.com\/home\/wp-content\/uploads\/2026\/07\/I-walk-the-Line.jpg 1401w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><figcaption class=\"wp-element-caption\">Lambda print on fine art paper, 2008<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image alignwide wp-image-1088 size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"2480\" height=\"1727\" src=\"https:\/\/www.lauragianetti.com\/home\/wp-content\/uploads\/2019\/12\/I-walk-the-line_bw.jpg\" alt=\"\" class=\"wp-image-1088\" srcset=\"https:\/\/www.lauragianetti.com\/home\/wp-content\/uploads\/2019\/12\/I-walk-the-line_bw.jpg 2480w, https:\/\/www.lauragianetti.com\/home\/wp-content\/uploads\/2019\/12\/I-walk-the-line_bw-300x209.jpg 300w, https:\/\/www.lauragianetti.com\/home\/wp-content\/uploads\/2019\/12\/I-walk-the-line_bw-700x487.jpg 700w, https:\/\/www.lauragianetti.com\/home\/wp-content\/uploads\/2019\/12\/I-walk-the-line_bw-768x535.jpg 768w, https:\/\/www.lauragianetti.com\/home\/wp-content\/uploads\/2019\/12\/I-walk-the-line_bw-1536x1070.jpg 1536w, https:\/\/www.lauragianetti.com\/home\/wp-content\/uploads\/2019\/12\/I-walk-the-line_bw-2048x1426.jpg 2048w\" sizes=\"auto, (max-width: 2480px) 100vw, 2480px\" \/><figcaption class=\"wp-element-caption\">Lambda print on aluminium, 2008<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>I Walk the Line \u00e8 una serie fotografica realizzata attraverso lunghe esposizioni e successivi lampi di flash, che riuniscono in un&#8217;unica immagine diverse fasi del movimento della stessa figura. La sovrapposizione dei gesti dissolve la stabilit\u00e0 del corpo, trasformandolo in una presenza molteplice e mutevole, sospesa tra controllo e trasformazione. La linea coincide con il [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-648","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.lauragianetti.com\/home\/wp-json\/wp\/v2\/pages\/648","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lauragianetti.com\/home\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.lauragianetti.com\/home\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.lauragianetti.com\/home\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lauragianetti.com\/home\/wp-json\/wp\/v2\/comments?post=648"}],"version-history":[{"count":16,"href":"https:\/\/www.lauragianetti.com\/home\/wp-json\/wp\/v2\/pages\/648\/revisions"}],"predecessor-version":[{"id":2116,"href":"https:\/\/www.lauragianetti.com\/home\/wp-json\/wp\/v2\/pages\/648\/revisions\/2116"}],"wp:attachment":[{"href":"https:\/\/www.lauragianetti.com\/home\/wp-json\/wp\/v2\/media?parent=648"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}